Whoever the audience taper was, Harry Ely or another, he did a great job, made a recording that is top notch state-of-the-art for the time. He must have had his mics virtually on stage. Salute!

This show is solid, the Dead doin' what they did at that point in their rapidly evolving way, wrapping up a four-night stand trying to follow Miles Dave, no less. Dancin is a standout, and Viola Lee, and Schoolgirl. Man's World isn't as mega as some performances later in the year, but Pigpen delivers.

After man has made
Everything he can
Man makes money
To buy some other man.

Tell it like it is, James.

I don't understand people who listen to this and say, 'well, I'll give it 2 1/2 stars.' If you went to this show, or listen to it now, and you don't understand that the Grateful Dead are doing their thing as hard as they can for you on this particular occasion ("warts and all," as Jerry put it), and that, as Bill Graham said, one night, 'they aren't the best at what they do, they're the only ones at what they do' and on another night called them, 'on any given night, the greatest rock and roll band in the world' -- well, I feel sorry for ya.

Grateful Dead Forever!

I love these 70 shows with the primal and country dead mashup in the set list love viola the dancin is absolutely smokin just an all around good show GOGD

The last show of the 4-night run co-headlining with Miles Davis. Interestingly, they played again a few days later at nearby Winterland (there were 31 Bay Area shows in '70). This would have been the perfect time to see the Davis Quintet. The Dead played one lengthy set, about 2hrs with the missing Bid You encore. A typical show from the era (gphishmon already said it best). The May shows are a step above the April shows. The AUD portion is brilliant for '70 - you can hear Phil.

Schoolgirl has a nice section ~12:00. The next couple are rote run-throughs. China gets a little sideways, but a highly spirited Rider more than makes up for it. It does sound like they go into High Time while finishing, but it equally sounds like a tape-over artifact. Either way, the beginning of Good Lovin' is cut - a middling version, way uptempo (even at the correct pitch). The jam coming out of Drums is a high point - especially Phil. Candyman is still the new tune; probably the 5th one. See the next show for a better example of this arrangement (or 5/2). But see 5/14 for the same in Deep Elem. The next couple pick up the zap, though Dire Wolf is a bit out of tune (which Bobby announces - into his mic). My opinion of this Dancin' in the Streets has improved. If not the absolute best from the period, it's fully interesting. Some hear a Tighten Up jam early on, but Dancin' is already two similar chords (so not a real Tighten, as in a Dark Star). There is, however, a pre-Mind Left Body jam that Phil plays @9:00. The way they come out of the jam is nice, but between 5:00>6:30 Jer really lights the fuck up and this section makes it a must-hear. In Black Peter Pigpen's organ sounds like a '70s soap opera going to commercial, but it's a fairly dramatic version, if awfully spare. The rest is a wash, with some sour harmonies in Uncle John's, a bland Man's World, and a Viola Lee that starts downtempo. This pace gives Jer a lot of room, but he doesn't really go anywhere, resting on trad figures.

Overall = 2½ stars

Highlights:
I Know You Rider - spirited
Dancing in the Street - Phil's favorite and a near-classic

SOURCES: The SBD runs fast and needs -3% pitch correction for Schoolgirl; -1% for Cumberland & Dire Wolf; and -1.5% for Dancin' through Viola. Dancing is also on Fallout.

I had just moved from Berkeley to SF and couldn't pick up the signal for KPFA well enough..but recorded a static-laden version of most of these tunes....since have heard and recorded purer versions...best "Dancing in the Streets" I ever heard...though I saw them bake over this tune when the Dead played with Junior Walker at Fillmore West in June...some interesting thematic and rhythmic inventions during "Dancin'"...plus the inevitable (at that time) counterpoint via Lesh and Weir...unfortunately, that classical approach faded soon enough...

this electric deep ellum is similar/identical arrangement to the acoustic versions of the era and is RARE as such. late in 1970 they started playing deep ellum electric more regularly with a somewhat different arrangement. see the el monte shows from 12/70 where they played the 'different' electric arangement 2 of the 3 nights

this tape contains a more prominent mix of the organ than almost ALL tapes of the era. You can follow the organ on Dancin' past the opening riff, etc He is also more prominent in 'Poor peter' compared to most versions and is much louder in Viola Lee than the portchester version from 3/70 and harpur 5/2/70. Another good viola lee example of GD speed metal from approx 11 minute mark until 12:20. ahhh...if only we had a good recording of viola lee from the F east in 7/70.....

Rough in spots, but awesome.

My attention was in and out for parts of this set but wow did they get my attention from Dancin on
Dancin'= Absolutely blazing!
Black Peter= mellow and perfect.
Uncle John's=Not longest version but sweet,
great harmony especially at end.
Man's World= Pigpen /great harmonies by the rest of band.(Pigpen from SCHOOLGIRL opener-on!!!)
Viola= They have a nice groove going on a song they would pull from rotation by the summer of 70.
This one very good with a dose of Feedback to end!

Outstanding!!!!! Gorgeous Viola Lee Blues! Wish there was copy of 4-10-70 !!!! Love hearing older shows, unfortunately,I was only 5 when these great shows were being played. Didn'tmake 1st shows till 5-11&5-12,1981 at New Haven Coliseum, but still managed to hit 100th show, after a 4year layoff 91-95, went to Tampa,Fl., 4-7-95 to get 100th, and sadly my last time seeing JERRY! I did,get in my 1st Loose Lucy, Visions Of Johanna, & 1 that I always loved to hear when drinking Kool Aid, PHIL'S UNBROKEN CHAIN !!!! GOD BLESS ALL WHO SAW SHOWS FROM1965-1995!!!! CHICAGO HERE WE COME!!!!

You're really in the Dead's world throughout this one, it takes you around like a tour. Some shows have abrupt transitions that snap you out of it, but this one flows really well. Especially from candyman -> vlb. Great show.

I think this is a great performance; it's definitely a hoot to play this show after the Miles Davis set, if you're able to find the latter; Miles really does shatter any illusions that he's "opening" for anyone - it's no wonder Phil was utterly beside himself, as he described in his book, and how ridiculous he felt having to follow the Quintet. I mean, that stuff is seriously off the chain. The Dead were quite brave to go out there after Miles and held their own; Iron Butterfly refused to go on stage in '69, K.C., after the Dead pulled a "Miles" on them!

And in that light, yeah, Schoolgirl does sound kind of silly in that context, but the boys really make the set their own and do a great job with Good Lovin', Dancin' (wow!!), et al - really, the back third of this show, from Dancin' on, is defintie five-star material.

Dancing through Viola Lee is solid. Jerry peaks May-November.

I don't give out many 5's this show gets 10 with ease.

2 much for words, 2 much! dancin& viola lee mint !!
not a heavy "space/jam/feedback loud type , but this is the tits and the milk that comes with it !!!

Oh my God , my speakers(Bose 501, `1972( survived it
and me 2 boot !!
acoustic is sweet DeepElem tops, cummberland rolls
on&0n enjoy 5star

I will have to cast my vote for this Dancin' as being far better than 1970-05-02. Garcia's solo is way more unique during this show. Starting at 4:43, he launches into a purely "Dead" moment of group synergy. The whole band comes along for the ride with Phil pounding out the jam in signature style. I am most taken aback by the prominence of Pigpen's organ. On most of the 1970 tapes his organ volume is turned way back. This song and this show might be considered one of the last great Pigpen organ shows. He is recreating the fast-paced organ playing you hear on shows from '66-'68. Viola Lee Blues is magical as a result. Now, as for the Dancin'-

5:40 Jerry starts the magic carpet ride

6:22 - 6:40 peaks into a psychedelic epiphany

7:08 - 7:25 a little mind blowing takes place

8:27 - Pigpen contributes some fine organ

8:53 - noodle riff leads you off to the stars

I know some people prefer the 5/2 Dancin' because it almost sounds like a Dark Star. Well I think that is great, but it does just that: sounds like a Dark Star jam. I think this Dancin jam is much more true to the original melody while blasting off into some interesting territory.

This may not be the best show all the way through, but the Dancin' is hard to beat.

all in all a good show but the viola lee at the end really makes it

Update 3/3/10:

After listening to the whole show, I will agree it is not the best of 1970 (that china>rider is pretty weak), but there are some great moments. And while I will not argue with anyone who says the 5/2/70 Dancin' is better (definitely makes a case for best ever) I still say this one is on par - Garica creates almost a "beat" with his guitar (well really he's playing off the rhythm section but that's just what it sounds like to me) in places that I have never heard before - really interesting stuff. Portions really have that Dark Star feel to them too, know what i mean? And as for Phil and the rest, well they are CERTAINLY doing their thing here...great stuff

Show: 4 stars
Dancin' in the Streets: 5+



***********************************************
This review is only for that song, since i have not heard the whole show yet, but what a version! garcia's bouncy groove makes me want to get up and dance in the street! agree w/ phleshy that this is easily a peer of 5/2/70, but let us not forget 5/6, 2/13, and 11/18 as standout versions also. gonna have to listen to the rest of this...

I dont see how the lack of a Dark Star or Other One is detrimental to this performance.

An interesting set list and there is certainly plenty of fine jamming taking place, particularly during the energetic Dancin' in the Streets, which is extremely well jammed and every bit as good as the performance of that song in Binghampton on 5/2/70! (98 pts)

which is still pretty good, but this show is more noticeable for what it DOESN'T have - Dark Star, Other One, or Eleven (which would soon disappear entirely). Still, there are some stellar moments, especially on Viola Lee Blues. "Snaky" is a good word to describe Jerry's playing on this one. The Dancin' is good, but come on, people! It's NOT EVEN CLOSE to 5/2/70, even if it does appear on Fallout from the Phil Zone. Since that show isn't on the Archive, I can't review it in the proper place, but let's just say Jerry played the 5/2/70 Dancin' with a creativity unapproached on any other version of this song, including a psychedelic section reminiscent of 69 Dark Stars. (If you don't have DP8, what are you waiting for? Get it!!)

Schoolgirl, Uncle John's, and Man's World are pretty solid, but the rest of the show hasn't got much interesting, and the China>Rider transition is sloppy as heck - they're playing in two different keys. The sound quality is excellent, a quick patch notwithstanding.

Sunday night was a Steallar show including a mind-blowing set by Miles Davis, but I have been searching for a while(try almost 40 years)for the
full Miles Davis set from Saturday 4-11-70 as well
as the Dead's set from that same night(including an awesome acoustic set in between both electric sets). The Boys were truely inspired by Miles that night with an out-of-this-world version
of the Dark Star--St. Stephen--Not Fade Away--Lovelight suite. the last minute as well as the
the entire Lovelight is available @ Archives.org
but the rest of the show has gone missing all these years. If anybody has The Dead's set or Miles or both you will bring a long search to
a happy ending. You can't go wrong with anything from 1970.A singularly unique transition year in the elvolution og The Grateful Dead. My Email
address is soulm8s1@sbcglobal.net if anybody can help me out there.

Saint Michael

If you like Pig then this show is for you. Great sound for 70' well mixed and the tunes are tight and loose all at the same time. Viola Lee and Deep Elem Blues are sure to impress. The opener gets you moving and Jerry bends around Pig's harp so nice.

Get it and enjoy

`

~^|\_@|@_/|^~
~<->/<->\<->~

Thirty nine years ago today the GRATEFUL DEAD were playin' at the Fillmore West, where were you?

I couldn't be there in 1970 but I showed up today, where were you?

I highly recommend adding this show to your 1970 GRATEFUL DEAD collection.

5 Stars for the mix, recording, performance and transfer.

God Bless Harry Ely for recording this show and God Bless Seth Kaplan for the Transfer. You guys are welcome at my home anytime. If I ever meet you the drinks are on me.


To Mr August West:

I had downloaded this show quite a while ago. I wanted to wait for the anniversary to write my review. I have downloaded over 350 shows, only bumped my gums on a couple hundred as of today...When I downloaded this show I didn't know if it was okay or not...so now I tell everyone how I do it...I learned to share my knowledge of getting something for nothing from a book I read back in 73 called STEAL THIS BOOK by Abbey Hoffman...what a freak.

I love Pigpen, and this is a "MUST HAVE SHOW" for all us Pigpen fans.....ALLIGATOR!!!!

"This Is a Man's World" is how Pigpen sang it. The GRATEFUL DEAD arranged this song in a fast 6/8. Huge Blues influence from Pigpen, the SOUL of the Band. God Bless Pigpen. We all still miss him. A real treat to have this performance to cherish from now on...it means a lot to hear him do his stuff.

The IA recommends users of Windows XP view this web-page with RealPlayer. RealPlayer is a free media player you can download at www.realplayer.com.

For easy streaming or downloading use RealPlayer. Click the VBR M3U link to open the songs in the Playlist. If your Playlist is not open, open it by clicking the Playlist icon at the lower right hand corner of RealPlayer. Once the songs are in the Playlist, double click the song to play it, then click the record button at the lower left hand corner of Realplayer to record it. When the red line reaches the other end click the stop button to download the song. Your song is in the RealPlayer Downloads folder. Repeat these steps for each song.

Eat, Drink, Be Merry and Listen to the GRATEFUL DEAD.

Thanks for the LOVE from 1970.

PS: Get em' while you can, get em' while they're free, get em' now or you'll be sorry...the Man giveth and the Man taketh away...WTTW

Throwback Heaven. Opening with Good Morning and closing with Viola Lee! As ever mixing the old with the new we have the Dead sandwich their new material in between. Killer 'Dancing', killer 'Viola Lee'.

To be honest I'm surprised "oh um ah um" hasn't written a review on this show with its abundance of Pigpen, including 'It's a Man's World'.

Follow the tour: 1970
gratefuldeadlive.blogspot.com

I was at this show and it sounded a lot better than this recording although this is pretty good quality, all things considered. It was my 4th in a row and I think I was tired and I had a long way to go to get home. I do not think I stayed for the encore.

i can say for sure, it is a smokin set from black peter through the end.....viola lee is ragged but hot....and its a mans world is totally unique and jammed out, dancin too....they were not posing back then when they aped these motown riffs, they really made these tunes their own....it makes the 80's/90's reincarnations sound so trite. at the end, it was a 60's cavalcade affair, running down the hits of yore. back during shows like this it was so much different, actual VITAL MUSIC that had a place in contemporary society....

i wonder what miles' thought of this gig....think he knew "viola lee blues" before these marin boys tore it up at the fillmore? i would guess not...sounded nice on the headphones....but just like the best sounding dicks picks, these tunes will just vaporize in the ether if not given the right listening envirnoment.....like in a truck with the windows open on the highway...you just aint gonna hear this......

Stange to read people complain about a 3 sec pause. If it bothers you, removing the pauses isn't a big deal.

A solid 3 out of 5

It's about the music, people - not the 3 seconds between songs...

Set's sweet if for nothing else than the Deep Elem version like no other. Jerr's feeling the blues. Boyz sound understandably tired and ready to get off stage for their recharge. But their axes are on fire at times.

SB quality is good - 16 track, baaaaby! Love it. Viola's all sexy and crisp tonight - very strong, agreed. 5ish stars - maybe a 4 -- but whose countin.

This concert really cooks. I'm tempted to say this is one of the best of 1970. That's saying something.

Just dropping bye again, what the hell is this geronimo1 guy talking about with this 3 second shit.
Something's have no place being put in some kids baby bottle's.

GMLS is great and Viola Lee/Feedback is real good. Didn't care for the patch sound, but the sound on the rest of the show is outstanding and that's a good reason to download it. Man's World is good, but some of the others aren't that inspired.

Yeah,this show is cut with 3seconds in between each track and it sux!!!!!Sorry,call me a bitch,but it sux and with 3,000 plus downloads you'd think a guy would be warned. Show is ruined=my opinion and that's what a review is for.

OK, I'm prejudiced. This was my 2nd show (4-9 was the first), I had some serious electrolytes in my system and I was leaning against the stage right in front of Pig. These guys totally blew me away (again).

As far as I'm concerned, and contrary to another opinion expressed here, this was the mother of all Viola Lee's. I swore I saw electricity crackling out of the guitars. When I first heard ths recording I realized that it wasn't my acid-vivid imagination. It's that good. Lot's of other highlights including Dancin' and It's a Man's, Man's World.

Phil says he was in awe of what Miles was doing during this run, but y'know, I didn't end up going to see Miles 70+ times.

If you want to hear a example of the three dimensional wavelenght the dead produced, this would be a first rate example.

Perhaps the presence of Miles Davis on this night inspired the Dead to give a far-above-par performance. I don't know. But I do know, folks, that the Dancin' in this show is among the finest EVER played, a peer of 6/8/69 and 5/2/70. Excellent Black Peter, Man's World and an excellent Viola Lee. What's Mr. 3 stars talking about? "Laid-back?" Well, sure it's slow, but it sounds damn heavy and funky to my ears. The sound quality does not disappoint either. Crystal clear and with PRESENCE.

Good sound quality. I like it.

Five stars seems a bit much for this show. To be honest, so does four.

The Viola Lee is real laid back, which is not what I look for in my VLB's. The Dancin is pretty sweet with Jerry winding it up and down in a 7+ minute jam. Tell me this isn't a Mind Left Body with a different cadence around the 9 minute mark.....

Bobby is pretty much lost in the mix, until the organ dies down. A few barely audible digiskips in Dancin. Sound quality is good.

Show: B+ (Dancin=A)
Sound: B+

THIS PLACE TRULY IS THE WAYBACK MACHINE,,I LOST THIS TAPE YEARS AGO AND FOUND IT YEARS AGO BUT WHEN I FOUND IT IT WAS IN MY BUDDIES BACKSEAT BETWEEN THE CUSIONS ALL COVERD IN SOME STRANGE SYRYP{SODA} AND FOOD CRUMBS!! TO THIS DAY IT WAS MY FAVORITE DEEP ELEM ,,MANS WORLD,,,AND ELECTRIC UNCLE JOHNS{THE SOLO IN UNCLE JOHNS IS WORTH DOWNLOADING PLEASE TRUST ME!AND LAST BUT NOT THE FUCKING LEAST KIDDIES THE MONSTOROUS VIOLA LEE BLUES ON THIS SHOW IS MY FAVORITE!!JERRY GUITAR WORK IS SO SNAKEY AND LOOSE ON THIS JAM THAT IT SOUND LIKE HIS GUITAR IS ON GODDAMN DRUGS!THE SHOWS IVE FOUND ON THIS SITE ARE SHOWS I THOUGHT ID NEVER HEAR AGAIN AFTER SO MANY YEARS OF LOOSING TAPES NOT MAKING BACK UPS, HEARING THESE SOLOS AGAIN HAS BROUGHT TEARS TO MY EYES AND THATS NO LIE AND IM ONE BIG FUCKING BIKER SO I DONT GET CHOKED UP TO OFTEN.THANKS ARCHIVE!EVERY NEW MOON I SHALL SLAGHTER THREE LAMBS IN YOUR HONOUR .....J/K

In a period of down to earth roots country and blues the Dead maintained again their aggressive and exploratory live act intact. Here they share the bill with Miles Davis who was also playing legendary improvisation with the recent albums of Silent In A Way, Bitches Brew and Live Evil. I"ve read where Lesh in particular would watch stage side and be blown away by Miles nightly however the Dead responded with their own magic as heard in this Dancin'. Foreshadowing the monster from Harpur in May, this version shakes and twists offering circular lead runs with trademark two headed beast rythyms.